Archive for wildilfe photography

Bush Warriors Wildlife Photography Workshop: A Story in Three Parts

Posted in Wildlife Photography Workshop with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 29, 2010 by photoafrica

Watching other people’s home movies and pictures from their holiday can, at times, be quite an ordeal.

The same can be said for looking at other people’s images from a recent safari.

Image © Gerry van der Walt

An image like this might remind you of the amazing leopard sighting you had when you were in the bush, but… your friends and family might not share your enthusiasm for this amazing sighting if the image does not really convey the spectacle you witnessed.

So what can you do?

Since wildlife photography is about telling a story, do it in threes.

By doing this, and presenting your work in threes, you will be able to much better share the beauty of the amazing sightings you had when you were out in the wild.  This will also help your family follow the stories you have to tell about your amazing adventures in Africa, or elsewhere.

So how does it work?

For every sighting try and take three images.  These images will, step by step, get your viewer closer to the subject and allow you to tell a more complete story.

The first image should set the scene and place the subject in it’s natural environment.

The second image should be the ‘main course’ and the image you actually want to show.

The last image is there to show a little bit of detail as you end your story.

Make sense?  Here is my story.

On a partly overcast morning, we were following a lioness through the bush.  It seemed as if she was looking for something.  As the sun broke through the clouds, she ended up in a thicket where she proceeded to look around some more, before settling in to sleep the day away.  Every now and then she would lift her head to look around, all the time breathing quite heavily, as by now the clouds had disappeared and the summer heat was setting in.

Now, there is no way I can show all of that in one image while I tell the story to all the family members I have forced to sit down in the lounge and ‘appreciate’ my images.

The answer?  Tell your story in three!

Image © Gerry van der Walt

Image © Gerry van der Walt

Image © Gerry van der Walt

If you are heading out into nature this weekend, look for stories.  Shoot them in threes.  Show them to your friends and remember to also upload a few to the Bush Warriors Photo of the Day Contest!

See you next week!

Gerry van der Walt

Photo-Africa

Please vote for Bush Warriors’ three projects to receive Free Range Studio’s youtopia grants.  Click here to vote now! 

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Bush Warriors Wildlife Photography Workshop: Warm It Up, Cool It Down

Posted in Wildlife Photography Workshop with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2010 by photoafrica

After some technical issues last week, here goes with the latest Bush Warriors Wildlife Photography Workshop.

Today we’ll be looking at white balance which, to many photographers, is one of the most difficult concepts to understand.  Now, it’s all fine and well to go through all the technical details, but I believe it is way more important to understand how changing your white balance settings can influence your images.

Before we look at some examples, a quick look at what white balance actually is.

The short version is this: white balance is the process through which your camera ‘sees’ white under different lighting conditions.  Think about it this way…  If you were to take a piece of white paper and look at in bright sunlight, overcast conditions and under a fluorescent light you will perceive the piece of paper to still be white.  Why?  Because your brain knows that the paper is white and makes automatic adjustments to compensate for the different types of light.

Your camera is not capable of ‘thinking’ about the type of light you are shooting in and this is where setting your white balance can make a huge difference to your images.  That being said, some of today’s cameras are getting quite good at measuring and determining light but it is still not as good as human eyes.

Some of the settings on your camera will warm an image up, or add orange tones, while other settings will cool an image down, or add blue tones.  Check out these three examples where each image includes the symbol for the White Balance setting that was used.

Image © Gerry van der Walt

This sunset was photographed on Auto White Balance (AWB).  This is how the camera ‘sees’ the scene which, let’s be honest, is not too bad.  The ‘AWB’ did quite a good job on this one.

If I wanted more oranges, and warm tones, in the scene I could set my White Balance to ‘Cloudy’.  This will make the camera think that we are shooting in overcast light and it will increase the warmth and oranges in the images.

Image © Gerry van der Walt

See the slight difference?  The oranges are noticeably darker and more saturated leaving a more moody image.

On the other side of the scale, if I wanted to cool the image down by pushing my blues I could set my White Balance to ‘Tungsten’.

Image © Gerry van der Walt

Huge difference!  The camera now cooled the image down quite a bit leaving a very moody result.

By playing around with the above three settings you can create amazing sunsets and sunrises.  Try these two scenarios which works wonderfully!

  • When you are shooting the very last bit of orange light, set your White Balance to ‘Cloudy’ to give your oranges a little more punch.
  • When you are shooting early morning, especially over water, set your White Balance to ‘Tungsten’ for a cool, early morning feel.

Now that’s all fine and well, but what about wildlife subjects?  Can you use White Balance when photographing Africa’s large mammals?

Absolutely!

Check out the following example.

Image © Gerry van der Walt

I photographed this male lion a few weeks ago.  The sun had just dropped below the horizon which left the scene lacking contrast and color, and for this particular image my White Balance was set on ‘AWB’.

To warm this image up I could, and you have to try this as it works beautifully, set my White Balance to ‘Cloudy’ which will increase the oranges and warm tones in the image.  For this example, I simply changed my White Balance to ‘Cloudy’ during post processing to show the result but changing your White Balance out in the field gives the exact same result!

Image © Gerry van der Walt

Another huge difference!  The camera added the warm, orange tones leaving quite a pleasing image.

Remember this tip: when you are looking at your subject through the viewfinder and the entire scene is in the shade, set your camera to ‘Cloudy’ White Balance to give the colors a bit of punch.

This is not cheating at all.  You are simply using the tools at your disposal, your camera, to it’s fullest extent to create striking wildlife images. Photography is an art and the better you understand the technical side of your equipment, the better equipped you will be to create great images – no matter what light you are shooting in!

When you are next out in the field try playing with different White Balance settings.  You will be amazed at some of the results. Once you have tried playing with your White Balance setting, remember to add some of your images to the Bush Warriors Photo of the Day Contest.

Have a great weekend!

Gerry van der Walt

Photo-Africa

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